{"id":242128,"date":"2021-09-21T07:54:10","date_gmt":"2021-09-21T05:54:10","guid":{"rendered":"https:\/\/museoditriora.it\/section-ethno-historique\/"},"modified":"2022-04-08T15:41:29","modified_gmt":"2022-04-08T13:41:29","slug":"section-ethno-historique","status":"publish","type":"page","link":"https:\/\/museoditriora.it\/fr\/section-ethno-historique\/","title":{"rendered":"Section ethno-historique"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_padding=\u00a0\u00bb0vw||0px||false|false\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb9px||9px||true|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][lwp_divi_breadcrumbs home_text=\u00a0\u00bbMuseo di Triora\u00a0\u00bb font_icon=\u00a0\u00bb%%20%%\u00a0\u00bb use_before_icon=\u00a0\u00bboff\u00a0\u00bb link_color=\u00a0\u00bbgcid-7cf36a45-1e18-4b55-aa69-ff60232bfc6e\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_text_color=\u00a0\u00bbgcid-773a4f86-3675-47d8-8ee3-17ce2df88ee2″ module_font_size=\u00a0\u00bb15px\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb module_font_size_tablet=\u00a0\u00bb2vw\u00a0\u00bb module_font_size_phone=\u00a0\u00bb3vw\u00a0\u00bb module_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{%22gcid-773a4f86-3675-47d8-8ee3-17ce2df88ee2%22:%91%22module_text_color%22,%22module_text_color%22%93,%22gcid-7cf36a45-1e18-4b55-aa69-ff60232bfc6e%22:%91%22link_color%22,%22link_color%22%93}\u00a0\u00bb][\/lwp_divi_breadcrumbs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.9.11″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_font_size=\u00a0\u00bb2vw\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb header_font_size_tablet=\u00a0\u00bb5vw\u00a0\u00bb header_font_size_phone=\u00a0\u00bb\u00a0\u00bb header_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Section ethno-historique<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ admin_label=\u00a0\u00bbContact\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.11″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/museoditriora.it\/wp-content\/uploads\/2021\/09\/Mes1-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbMes1″ _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb2.3vw\u00a0\u00bb text_font_size_phone=\u00a0\u00bb3.5vw\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_line_height_tablet=\u00a0\u00bb\u00a0\u00bb text_line_height_phone=\u00a0\u00bb1.6em\u00a0\u00bb text_line_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]En 1988, l’A.S.P.E.S., la municipalit\u00e9 de Triora (avec la contribution du maire Luigi Capponi et du secr\u00e9taire municipal Tommaso La Mendola) et la Comunit\u00e0 Montana Argentina-Armea ont organis\u00e9 la conf\u00e9rence \u00ab\u00a0Triora 1588. La chasse aux sorci\u00e8res. M\u00e9thodes, temps et espaces de l’histoire\u00a0\u00bb. \u00c0 l’occasion du quatri\u00e8me centenaire des c\u00e9l\u00e8bres proc\u00e8s, il s’agissait d’une r\u00e9ponse autoris\u00e9e et exigeante des sp\u00e9cialistes de l’histoire \u00e0 l’immense et immod\u00e9r\u00e9 tapage qui s’\u00e9tait produit en Ligurie occidentale, de Dolceacqua \u00e0 Triora.\u00a0 Selon la \u00ab\u00a0presse\u00a0\u00bb (y compris la presse nationale), on ne voulait pas monter une pi\u00e8ce de th\u00e9\u00e2tre le jour du sabbat, car elle \u00e9tait blasph\u00e9matoire pour les uns et artistique pour les autres.<\/p>\n

Le grand succ\u00e8s de la conf\u00e9rence a conduit \u00e0 la cr\u00e9ation d’une section consacr\u00e9e \u00e0 la sorcellerie dans le mus\u00e9e ethnographique d\u00e9j\u00e0 existant, g\u00e9r\u00e9 par l’association touristique Pro Triora.<\/p>\n

Cette association, l\u00e9galement constitu\u00e9e en 1974, s’est consacr\u00e9e avec enthousiasme et passion \u00e0 l’am\u00e9nagement des nouvelles salles dans les anciennes prisons municipales, \u00e0 la recherche de documents, de collections et d’objets importants.<\/p>\n

D’autres conf\u00e9rences ont eu lieu en 1994, 2000 et enfin en 2004, suivies par la publication en 2007 d’un essai de Paolo Portone (conservateur de la premi\u00e8re section du nouveau MES) et Gian Maria Panizza, qui faisait le point sur les \u00e9tudes relatives aux chasses aux sorci\u00e8res en Italie, en les pla\u00e7ant dans un contexte plus large de recherche sur les personnes accus\u00e9es de sorcellerie, Cette \u00e9tude faisait partie d’un projet de recherche plus large sur les personnes accus\u00e9es de sorcellerie, dont les origines remontent aux mythes et aux traditions de l’Europe lointaine. Ces mythes et traditions \u00e9taient pr\u00e9sents dans l’antiquit\u00e9 classique et au Moyen \u00c2ge et n’ont jamais \u00e9t\u00e9 compl\u00e8tement \u00e9teints, pas m\u00eame aujourd’hui, surtout dans des r\u00e9gions comme la vall\u00e9e de l’Argentine, qui sont plus soucieuses de pr\u00e9server et de prot\u00e9ger l’h\u00e9ritage du pass\u00e9.[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial quote_icon_color=\u00a0\u00bbgcid-60fc0c76-8876-4968-8a1c-628511b7fb08″ _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_text_align=\u00a0\u00bbjustify\u00a0\u00bb background_color=\u00a0\u00bb#f2f2f2″ custom_margin_tablet=\u00a0\u00bb6vw||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb body_text_align_last_edited=\u00a0\u00bboff|phone\u00a0\u00bb body_font_size_tablet=\u00a0\u00bb2.4vw\u00a0\u00bb body_font_size_phone=\u00a0\u00bb3.5vw\u00a0\u00bb body_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{%22gcid-60fc0c76-8876-4968-8a1c-628511b7fb08%22:%91%22quote_icon_color%22%93}\u00a0\u00bb]<\/p>\n

Documenter le monde des victimes de la chasse est le d\u00e9fi et l’objectif de cette section<\/strong>. A travers des t\u00e9moignages historiques et ethnographiques, on a essay\u00e9 de reconstruire pour la premi\u00e8re fois l’identit\u00e9 culturelle de ceux qui ont \u00e9t\u00e9 forc\u00e9s \u00e0 s’allonger sur le lit de Procuste de l’Esclave de Satan.<\/p>\n

Les objets expos\u00e9s ont pour but de faire voyager le visiteur dans la r\u00e9alit\u00e9 qui se cache derri\u00e8re l’une des figures mythiques les plus r\u00e9ussies de l’imaginaire collectif europ\u00e9en. Ceci au moyen d’un itin\u00e9raire divis\u00e9 en quatre zones th\u00e9matiques (\u00ab\u00a0La pens\u00e9e magique\u00a0\u00bb, \u00ab\u00a0D\u00e9esses, esprits et cr\u00e9atures f\u00e9minines\u00a0\u00bb, \u00ab\u00a0Dominae herbarum\u00a0\u00bb, \u00ab\u00a0L’invention de la sorci\u00e8re diabolique et le proc\u00e8s de Triora\u00a0\u00bb), afin de permettre au curieux et \u00e0 l’\u00e9rudit de se confronter aux d\u00e9couvertes d’un monde plus proche de la r\u00e9alit\u00e9 historique.<\/p>\n

Au terme de ce parcours, si justice n’a pas \u00e9t\u00e9 rendue aux victimes, peut-\u00eatre un peu de dignit\u00e9 leur aura-t-elle \u00e9t\u00e9 rendue, r\u00e9tablissant le lien entre les personnes et leur nom, leur m\u00e9tier et ce qu’elles repr\u00e9sentent r\u00e9ellement dans la soci\u00e9t\u00e9 europ\u00e9enne au tournant du Moyen \u00c2ge et de l’\u00e9poque moderne.<\/p>\n

Redonner une physionomie aux milliers de femmes condamn\u00e9es au b\u00fbcher sans qu’il y ait eu faute de leur part, c’est au moins compenser leur m\u00e9moire, restituer \u00e0 la n\u00f4tre les v\u00e9ritables raisons d’une pers\u00e9cution men\u00e9e avec efficacit\u00e9 et d\u00e9termination rationnelle contre un ennemi inexistant, mais dont nous sommes toutes sorties transform\u00e9es, comme les bonae feminae apr\u00e8s Diana.<\/p>\n

[\/et_pb_testimonial][et_pb_image src=\u00a0\u00bbhttps:\/\/museoditriora.it\/wp-content\/uploads\/2021\/09\/Mes2-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbMes2″ _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb2.3vw\u00a0\u00bb text_font_size_phone=\u00a0\u00bb3.5vw\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_line_height_tablet=\u00a0\u00bb\u00a0\u00bb text_line_height_phone=\u00a0\u00bb1.6em\u00a0\u00bb text_line_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Les m\u00eames chercheurs, avec Don Paolo Fontana, Alfonso Assini et Gianluca Ivaldi, ont publi\u00e9 en 2013, une publication exceptionnelle \u00ab\u00a0La causa delle streghe di Triora\u00a0\u00bb (La cause des sorci\u00e8res de Triora), \u00e9dit\u00e9e par Pro Triora Editor, contenant tous les documents relatifs au c\u00e9l\u00e8bre \u00e9v\u00e9nement qui s’est d\u00e9roul\u00e9 dans le village m\u00e9di\u00e9val, y compris les d\u00e9crets du Saint Office, jusqu’ici inconnus.<\/p>\n

\u00c0 la suite de ces initiatives et gr\u00e2ce au large int\u00e9r\u00eat manifest\u00e9 pour le th\u00e8me de la \u00ab\u00a0chasse aux sorci\u00e8res\u00a0\u00bb et, plus g\u00e9n\u00e9ralement, de la \u00ab\u00a0sorcellerie\u00a0\u00bb, la municipalit\u00e9 de Triora a d\u00e9cid\u00e9 de lancer la restauration du Palazzo Amero D’Aste Stella. Une partie de celui-ci allait devenir le Mus\u00e9e International de la Sorcellerie, gr\u00e2ce \u00e0 la contribution du groupe de travail compos\u00e9 de Cristian Alberti (Mairie de Triora), Luca Dolmetta (Architecte charg\u00e9 de la conception de l’exposition), Paolo Portone (R\u00e9dacteur du texte), Gianluca Spirito (R\u00e9gion Ligurie), Francesca De Cupis, Roberto Leone, Alfonso Sista, Silvana Vernazza (Bureau de la Surintendance de l’Arch\u00e9ologie, des Beaux-Arts et du Paysage), il est devenu le Mus\u00e9e Ethno-historique de la Sorcellerie (M. E.S.). E.S.). La Surintendance a suivi toutes les phases de la restauration du Palazzo Stella et de l’installation du Mus\u00e9e, en exer\u00e7ant son contr\u00f4le institutionnel.<\/p>\n

La cr\u00e9ation du mus\u00e9e a \u00e9t\u00e9 rendue possible gr\u00e2ce au soutien total de l’association touristique Pro Triora, pr\u00e9sid\u00e9e par Roberto Faraldi, qui a mis \u00e0 disposition, sous forme de pr\u00eat gratuit, la quasi-totalit\u00e9 du mat\u00e9riel trouv\u00e9 et achet\u00e9 au fil des ans, temporairement stock\u00e9 dans les entrep\u00f4ts du mus\u00e9e ethnographique.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#f2f2f2″ custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||4vw||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.10.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_2_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font_size=\u00a0\u00bb22px\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

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Cliquez pour en apprendre plus…<\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/museoditriora.it\/fr\/histoire\/\u00a0\u00bb button_text=\u00a0\u00bbHistoire de Triora\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.11.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb19px\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb3vw||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.11″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/museoditriora.it\/fr\/sorcellerie\/\u00a0\u00bb button_text=\u00a0\u00bbSorcellerie\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.11.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb19px\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb3vw||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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<\/span> Museo di Triora<\/span><\/a><\/span> 5<\/span> <\/span><\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>Section ethno-historiqueEn 1988, l’A.S.P.E.S., la municipalit\u00e9 de Triora (avec la contribution du maire Luigi Capponi et du secr\u00e9taire municipal Tommaso La Mendola) et la Comunit\u00e0 Montana Argentina-Armea ont organis\u00e9 la conf\u00e9rence \u00ab\u00a0Triora 1588. La chasse aux sorci\u00e8res. M\u00e9thodes, temps […]<\/p>\n","protected":false},"author":1,"featured_media":242861,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-242128","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nSection ethno-historique • Museo di Triora<\/title>\n<meta name=\"description\" content=\"Documenter le monde des victimes de la chasse est le d\u00e9fi et l'objectif de cette section ethno-historique du mus\u00e9e de Triora.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museoditriora.it\/fr\/section-ethno-historique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Section ethno-historique • 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